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Dominic Toretto and his crew battle the most skilled assassin and high-performance driver they've ever encountered: his forsaken brother.
Cypher enlists the help of Jakob, Dom's younger brother to take revenge on Dom and his team.
Fast and Furious 9: The Fast Saga // F9: The Fast Saga
Genre: Action, Adventure, Crime, Thriller
Release Date: Jun 25, 2021
Stars: Vin Diesel, Michelle Rodriguez, Jordana Brewster
Source: Fast.and.Furious.9.The.Fast.Saga.2021.WEB-DL.DDP5.1.Atmos.H264-EVO
Language: English
Subtitle Language: English
IMDB:https://www.imdb.com/title/tt5433138/
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Domic Toretto lleva una vida tranquila, lejos de todo, con Letty y su hijo, el pequeño Brian. el peligro estĂĄ siempre al acecho. Esta vez, esta amenaza obligarĂĄ a Domic Toretto a enfrentarse a los pecados de su pasado para salvar a los que mĂĄs quiere. Su equipo se reĂșne de nuevo para detener un plan que conmocionarĂĄ al mundo, liderado por el mejor piloto y el mayor asesino que han encontrado: Jakob, el hermano abandonado de Domic.
Lanzamiento: 2021-04-01
DuraciĂłn: 145 minutos
GĂ©nero: AcciĂłn, Suspense
Estrellas: Vin Diesel, Michelle Rodriguez, John Cena, Charlize Theron, Jordana Brewster
Director: Sanja Milkovic Hays, Clayton Townsend, Gary Scott Thompson, Neal H. Moritz, Vin Diesel
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THE STORY
After graduating from Harvard, Bryan Stevenson (Michael B. Jordan) forgoes the standard opportunities of seeking employment from big and lucrative law firms; deciding to head to Alabama to defend those wrongfully commended, with the support of local advocate, Eva Ansley (Brie Larson). One of his first, and most poignant, case is that of Walter McMillian (Jamie Foxx, who, in 62, was sentenced to die for the notorious murder of an 2-year-old girl in the community, despite a preponderance of evidence proving his innocence and one singular testimony against him by an individual that doesnât quite seem to add up. Bryan begins to unravel the tangled threads of McMillianâs case, which becomes embroiled in a relentless labyrinth of legal and political maneuverings and overt unabashed racism of the community as he fights for Walterâs name and others like him.
THE GOOD / THE BAD
Throughout my years of watching movies and experiencing the wide variety of cinematic storytelling, legal drama movies have certainly cemented themselves in dramatic productions. As I stated above, some have better longevity of being remembered, but most showcase plenty of heated courtroom battles of lawyers defending their clients and unmasking the truth behind the claims (be it wrongfully incarcerated, discovering who did it, or uncovering the shady dealings behind large corporations. Perhaps my first one legal drama was 624âs The Client (I was little young to get all the legality in the movie, but was still managed to get the gist of it all). My second one, which I loved, was probably Primal Fear, with Norton delivering my favorite character role. Of course, I did see To Kill a Mockingbird when I was in the sixth grade for English class. Definitely quite a powerful film. And, of course, letâs not forget Philadelphia and want it meant / stand for. Plus, Hanks and Washington were great in the film. All in all, while not the most popular genre out there, legal drama films still provide a plethora of dramatic storytelling to capture the attention of moviegoers of truth and lies within a dubious justice.
Just Mercy is the latest legal crime drama feature and the whole purpose of this movie review. To be honest, I really didnât much âbuzzâ about this movie when it was first announced (circa 206) when Broad Green Productions hired the filmâs director (Cretton) and actor Michael B. Jordan in the lead role. It was then eventually bought by Warner Bros (the films rights) when Broad Green Productions went Bankrupt. So, I really didnât hear much about the film until I saw the movie trailer for Just Mercy, which did prove to be quite an interesting tale. Sure, it sort of looked like the generic âlegal dramaâ yarn (judging from the trailer alone), but I was intrigued by it, especially with the film starring Jordan as well as actor Jamie Foxx. I did repeatedly keep on seeing the trailer for the film every time I went to my local movie theater (usually attached to any movie I was seeing with a PG rating and above). So, suffice to say, that Just Mercyâs trailer preview sort of kept me invested and waiting me to see it. Thus, I finally got the chance to see the feature a couple of days ago and Iâm ready to share my thoughts on the film. And what are they? Well, good onesâŠ.to say the least. While the movie does struggle within the standard framework of similar projects, Just Mercy is a solid legal drama that has plenty of fine cinematic nuances and great performances from its leads. Itâs not the âbe all to end allâ of legal drama endeavors, but its still manages to be more of the favorable motion pictures of these projects.
Just Mercy is directed by Destin Daniel Cretton, whose previous directorial works includes such movies like Short Term 6, I Am Not a Hipster, and Glass Castle. Given his past projects (consisting of shorts, documentaries, and a few theatrical motion pictures), Cretton makes Just Mercy is most ambitious endeavor, with the director getting the chance to flex his directorial muscles on a legal drama film, which (like I said above) can manage to evoke plenty of human emotions within its undertaking. Thankfully, Cretton is up to the task and never feels overwhelmed with the movie; approaching (and shaping) the film with respect and a touch of sincerity by speaking to the humanity within its characters, especially within lead characters of Stevenson and McMillian. Of course, legal dramas usually do (be the accused / defendant and his attorney) shine their cinematic lens on these respective characters, so itâs nothing original. However, Cretton does make for a compelling drama within the feature; speaking to some great character drama within its two main lead characters; staging plenty of moments of these twos individuals that ultimately work, including some of the heated courtroom sequences.
Like other recent movies (i.e. Brian Banks and The Hate U Give), Cretton makes Just Mercy have an underlining thematical message of racism and corruption that continues to play a part in the USâŠ.to this day (incredibly sad, but true). So, of course, the correlation and overall relatively between the movieâs narrative and todayâs world is quite crystal-clear right from the get-go, but Cretton never gets overzealous / preachy within its context; allowing the feature to present the subject matter in a timely manner and doesnât feel like unnecessary or intentionally a âsign of the timesâ motif. Additionally, the movie also highlights the frustration (almost harsh) injustice of the underprivileged face on a regular basis (most notable those looking to overturn their cases on death row due to negligence and wrongfully accused). Naturally, as somewhat expected (yet still palpable), Just Mercy is a movie about seeking the truth and uncovering corruption in the face of a broken system and ignorant prejudice, with Cretton never shying away from some of the ugly truths that Stevenson faced during the filmâs story.
Plus, as a side-note, itâs quite admirable for what Bryan Stevenson (the real-life individual) did for his career, with him as well as others that have supported him (and the Equal Justice Initiative) over the years and how he fought for and freed many wrongfully incarcerated individuals that our justice system has failed (again, the poignancy behind the filmâs themes / message). Itâs great to see humanity being shined and showcased to seek the rights of the wronged and to dispel a flawed system. Thus, whether you like the movie or not, you simply can not deny that truly meaningful job that Bryan Stevenson is doing, which Cretton helps demonstrate in Just Mercy. From the bottom of my heartâŠ. thank you, Mr. Stevenson.
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In terms of presentation, Just Mercy is a solidly made feature film. Granted, the film probably wonât be remembered for its visual background and theatrical setting nuances or even nominated in various award categories (for presentation / visual appearance), but the film certainly looks pleasing to the eye, with the attention of background aspects appropriate to the movieâs story. Thus, all the usual areas that I mention in this section (i.e. production design, set decorations, costumes, and cinematography) are all good and meet the industry standard for legal drama motion pictures. That being said, the filmâs score, which was done by Joel P. West, is quite good and deliver some emotionally drama pieces in a subtle way that harmonizes with many of the featureâs scenes.
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There are a few problems that I noticed with Just Mercy that, while not completely derailing, just seem to hold the feature back from reaching its full creative cinematic potential. Letâs start with the most prevalent point of criticism (the one that many will criticize about), which is the overall conventional storytelling of the movie. What do I mean? Well, despite the strong case that the film delves into a âbased on a true storyâ aspect and into some pretty wholesome emotional drama, the movie is still structed into a way that it makes it feel vaguely formulaic to the touch. Thatâs not to say that Just Mercy is a generic tale to be told as the filmâs narrative is still quite engaging (with some great acting), but the story being told follows quite a predictable path from start to finish. Granted, I never really read Stevensonâs memoir nor read anything about McMillianâs case, but then I still could easily figure out how the movie was presumably gonna endâŠ. even if the there were narrative problems / setbacks along the way. Basically, if youâve seeing any legal drama endeavor out there, youâll get that same formulaic touch with this movie. I kind of wanted see something a little bit different from the filmâs structure, but the movie just ends up following the standard narrative beats (and progressions) of the genre. That being said, I still think that this movie is definitely probably one of the better legal dramas out there.
This also applies to the filmâs script, which was penned by Cretton and Andrew Lanham, which does give plenty of solid entertainment narrative pieces throughout, but lacks the finesse of breaking the mold of the standard legal drama. There are also a couple parts of the movieâs script handling where you can tell that what was true and what fictional. Of course, this is somewhat a customary point of criticism with cinematic tales taking a certain âpoetic licenseâ when adapting a âbased on a true storyâ narrative, so itâs not super heavily critical point with me as I expect this to happen. However, there were a few times I could certainly tell what actually happen and what was a tad bit fabricated for the movie. Plus, they were certain parts of the narrative that couldâve easily fleshed out, including what Morrisonâs parents felt (and actually show them) during this whole process. Again, not a big deal-breaker, but it did take me out of the movie a few times. Lastly, the filmâs script also focuses its light on a supporting character in the movie and, while this made with well-intention to flesh out the character, the camera spotlight on this character sort of goes off on a slight tangent during the featureâs second act. Basically, this storyline couldâve been removed from Just Mercy and still achieve the same palpability in the emotional department. Itâs almost like the movie needed to chew up some runtime and the writers to decided to fill up the time with this side-story. Again, itâs good, but a bit slightly unnecessary.
What does help overlook (and elevate) some of these criticisms is the filmâs cast, which are really good and definitely helps bring these various characters to life in a theatrical /dramatic way. Leading the charge in Just Mercy is actor Michael B. Jordan, who plays the filmâs central protagonist role of Bryan Stevenson. Known for his roles in Creed, Fruitvale Station, and Black Panther, Jordan has certain prove himself to be quite a capable actor, with the actor rising to stardom over the past few years. This is most apparent in this movie, with Jordan making a strong characteristically portrayal as Bryan; showcasing plenty of underlining determination and compelling humanity in his character as he (as Bryan Stevenson) fights for the injustice of those whoâs voices have been silenced or dismissed because of the circumstances. Itâs definitely a strong character built and Jordan seems quite capable to task in creating a well-acted on-screen performance of Bryan. Behind Jordan is actor Jamie Foxx, who plays the other main lead in the role, Walter McMillian. Foxx, known for his roles in Baby Driver, Django Unchained, and Ray, has certainly been recognized as a talented actor, with plenty of credible roles under his belt. His participation in Just Mercy is another well-acted performance that deserve much praise as its getting (even receiving an Oscar nod for it), with Foxx portraying Walter with enough remorseful grit and humility that makes the character quite compelling to watch. Plus, seeing him and Jordan together in a scene is quite palpable and a joy to watch.
The last of the three marquee main leads of the movie is the character of Eva Ansley, the director of operations for EJI (i.e. Stevensonâs right-handed employee / business partner), who is played by actress Brie Larson. Up against the characters of Stevenson and McMillian, Ansley is the weaker of the three main lead; presented as supporting player in the movie, which is perfectly fine as the characters gets the job done (sort of speak) throughout the filmâs narrative. However, Larson, known for her roles in Room, 6 Jump Street, and Captain Marvel, makes less of an impact in the role. Her acting is fine and everything works in her portrayal of Eva, but nothing really stands in her performance (again, considering Jordan and Foxxâs performances) and really couldâve been played by another actress and achieved the same goal.
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The rest of the cast, including actor Tim Blake Nelson (The Incredible Hulk and O Brother, Where Art Thou) as incarcerated inmate Ralph Meyers, actor Rafe Spall (Jurassic World: Fallen Kingdom and The Big Short) as legal attorney Tommy Champan, actress Karan Kendrick (The Hate U Give and Family) as Minnie McMillan, Walterâs wife, actor C.J. LeBlanc (Arsenal and School Spirts) as Walterâs son, John McMillian, actor Rob Morgan (Stranger Things and Mudbound) as death role inmate Herbert Richardson, actor OâShea Jackson Jr. (Long Shot and Straight Outta Compton) as death role inmate Anthony âRayâ Hinton, actor Michael Harding (Triple 2 and The Young and the Restless) as Sheriff Tate, and actor Hayes Mercure (The Red Road and Mercy Street) as a prison guard named Jeremy, are in the small supporting cast variety. Of course, some have bigger roles than others, but all of these players, which are all acted well, bolster the filmâs story within the performances and involvement in Just Mercyâs narrative.
FINAL THOUGHTS
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Itâs never too late to fight for justice as Bryan Stevenson fights for the injustice of Walter McMillianâs cast against a legal system that is flawed in the movie Just Mercy. Director Destin Daniel Crettonâs latest film takes a stance on a poignant case; demonstrating the injustice of one (and by extension those wrongfully incarcerated) and wrapping it up in a compelling cinematic story. While the movie does struggle within its standard structure framework (a sort of usual problem with âbased on a true storyâ narrations) as well as some formulaic beats, the movie still manages to rise above those challenges (for the most part), especially thanks to Crettonâs direction (shaping and storytelling) and some great performances all around (most notable in Jordan and Foxx). Personally, I liked this movie. Sure, it definitely had its problem, but those didnât distract me much from thoroughly enjoying this legal drama feature. Thus, my recommendation for the film is a solid ârecommendedâ, especially those who liked the cast and poignant narratives of legality struggles and the injustice of a failed system / racism. In the end, while the movie isnât the quintessential legal drama motion picture and doesnât push the envelope in cinematic innovation, Just Mercy still is able to manage to be a compelling drama thatâs powerful in its story, meaningful in its journey, and strong within its statement. Just like Bryan Stevenson says in the movieâŠ.â If we could look at ourselves closelyâŠ. we can change this world for the betterâ. Amen to that!